dotcom-rendering/fixtures/manual/show-more-trails.ts (1,715 lines of code) (raw):
/**
* This is the response as it's received from Frontend, and includes fields that
* the DCR types don't know about.
* Exporting this 'as' FEFrontCard because we know it should be of the right shape.
*/
import type { FEFrontCard } from '../../src/frontend/feFront';
export const trails: [
FEFrontCard,
FEFrontCard,
FEFrontCard,
FEFrontCard,
FEFrontCard,
FEFrontCard,
] = [
{
properties: {
isBreaking: false,
showMainVideo: false,
showKickerTag: false,
showByline: false,
imageSlideshowReplace: false,
maybeContent: {
trail: {
trailPicture: {
allImages: [
{
index: 3,
fields: {
displayCredit: 'true',
isMaster: 'true',
altText:
'Woman stressed about big ladder in her tights',
mediaId:
'a85912b00046f8ba0314e9064a0851ea17ef76d2',
width: '2124',
source: 'Getty',
photographer: 'artursfoto',
height: '1274',
credit: 'Photograph: artursfoto/Getty',
},
mediaType: 'Image',
url: 'https://media.guim.co.uk/a85912b00046f8ba0314e9064a0851ea17ef76d2/0_12_2124_1274/master/2124.jpg',
},
],
},
byline: 'Chloe Mac Donnell',
thumbnailPath:
'https://i.guim.co.uk/img/media/a85912b00046f8ba0314e9064a0851ea17ef76d2/0_12_2124_1274/500.jpg?quality=85&auto=format&fit=max&s=e6cf84c0603adefcde825d59df704d28',
webPublicationDate: 1666953304000,
},
metadata: {
id: 'fashion/2022/oct/28/forever-tights-idea-really-have-legs-rip-resistant-fasion',
webTitle:
'Forever tights? Now that’s an idea that could really have legs',
webUrl: 'https://www.theguardian.com/fashion/2022/oct/28/forever-tights-idea-really-have-legs-rip-resistant-fasion',
type: 'Article',
sectionId: {
value: 'fashion',
},
format: {
design: 'FeatureDesign',
theme: 'LifestylePillar',
display: 'StandardDisplay',
},
},
fields: {
main: '<figure class="element element-image" data-media-id="a85912b00046f8ba0314e9064a0851ea17ef76d2"> <img src="https://media.guim.co.uk/a85912b00046f8ba0314e9064a0851ea17ef76d2/0_12_2124_1274/1000.jpg" alt="Woman stressed about big ladder in her tights" width="1000" height="600" class="gu-image" /> <figcaption> <span class="element-image__caption">The average woman spends £3,000 on tights in her lifetime.</span> <span class="element-image__credit">Photograph: artursfoto/Getty</span> </figcaption> </figure>',
body: '<p>Would you pay £62 for a pair of tights? What about if they were guaranteed not to rip, ladder or snag for at least three months? For anyone who frequently screams in frustration as they tear a pair while pulling them on, the world’s toughest tights – as they are being described – could prove tempting.</p><p>To tight or not to tight used to be a subject as divisive as the Conservatives’ economic policy. With energy bills rising, trying to emulate the year round bare-legged lifestyle of the 1% is no longer viable.</p>',
standfirst:
'<p>As the UK gets chillier, rip-resistant tights – embraced even by fashion brands – are coming into their own</p>',
},
elements: {
mediaAtoms: [],
},
tags: {
tags: [
{
properties: {
id: 'fashion/tights',
url: '/fashion/tights',
tagType: 'Keyword',
sectionId: 'fashion',
sectionName: 'Fashion',
webTitle: 'Tights and socks',
webUrl: 'https://www.theguardian.com/fashion/tights',
},
},
{
properties: {
id: 'fashion/fashion',
url: '/fashion/fashion',
tagType: 'Keyword',
sectionId: 'fashion',
sectionName: 'Fashion',
webTitle: 'Fashion',
webUrl: 'https://www.theguardian.com/fashion/fashion',
},
},
{
properties: {
id: 'lifeandstyle/lifeandstyle',
url: '/lifeandstyle/lifeandstyle',
tagType: 'Keyword',
sectionId: 'lifeandstyle',
sectionName: 'Life and style',
webTitle: 'Life and style',
webUrl: 'https://www.theguardian.com/lifeandstyle/lifeandstyle',
},
},
{
properties: {
id: 'fashion/lingerie',
url: '/fashion/lingerie',
tagType: 'Keyword',
sectionId: 'fashion',
sectionName: 'Fashion',
webTitle: 'Lingerie',
webUrl: 'https://www.theguardian.com/fashion/lingerie',
},
},
{
properties: {
id: 'type/article',
url: '/type/article',
tagType: 'Type',
sectionId: 'global',
sectionName: 'global',
webTitle: 'Article',
webUrl: 'https://www.theguardian.com/articles',
},
},
{
properties: {
id: 'tone/news',
url: '/tone/news',
tagType: 'Tone',
sectionId: 'global',
sectionName: 'global',
webTitle: 'News',
webUrl: 'https://www.theguardian.com/tone/news',
},
},
{
properties: {
id: 'tone/features',
url: '/tone/features',
tagType: 'Tone',
sectionId: 'global',
sectionName: 'global',
webTitle: 'Features',
webUrl: 'https://www.theguardian.com/tone/features',
},
},
{
properties: {
id: 'profile/chloe-mac-donnell',
url: '/profile/chloe-mac-donnell',
tagType: 'Contributor',
sectionId: 'global',
sectionName: 'global',
webTitle: 'Chloe Mac Donnell',
webUrl: 'https://www.theguardian.com/profile/chloe-mac-donnell',
twitterHandle: 'tweetchloe',
bio: '<p>Chloe Mac Donnell is the Guardian\'s deputy fashion and lifestyle editor. Twitter <a href="https://twitter.com/tweetchloe">@tweetchloe</a></p>',
},
},
{
properties: {
id: 'publication/theguardian',
url: '/publication/theguardian',
tagType: 'Publication',
sectionId: 'theguardian',
sectionName: 'From the Guardian',
webTitle: 'The Guardian',
webUrl: 'https://www.theguardian.com/theguardian/all',
},
},
{
properties: {
id: 'theguardian/mainsection',
url: '/theguardian/mainsection',
tagType: 'NewspaperBook',
sectionId: 'news',
sectionName: 'News',
webTitle: 'Main section',
webUrl: 'https://www.theguardian.com/theguardian/mainsection',
},
},
{
properties: {
id: 'theguardian/mainsection/uknews',
url: '/theguardian/mainsection/uknews',
tagType: 'NewspaperBookSection',
sectionId: 'uk-news',
sectionName: 'UK news',
webTitle: 'UK news',
webUrl: 'https://www.theguardian.com/theguardian/mainsection/uknews',
},
},
{
properties: {
id: 'tracking/commissioningdesk/uk-fashion',
url: '/tracking/commissioningdesk/uk-fashion',
tagType: 'Tracking',
sectionId: 'global',
sectionName: 'global',
webTitle: 'UK Fashion',
webUrl: 'https://www.theguardian.com/tracking/commissioningdesk/uk-fashion',
},
},
],
},
},
maybeContentId:
'fashion/2022/oct/28/forever-tights-idea-really-have-legs-rip-resistant-fasion',
isLiveBlog: false,
isCrossword: false,
byline: 'Chloe Mac Donnell',
webTitle:
'Forever tights? Now that’s an idea that could really have legs',
linkText:
'Forever tights? Now that’s an idea that could really have legs',
webUrl: 'https://www.theguardian.com/fashion/2022/oct/28/forever-tights-idea-really-have-legs-rip-resistant-fasion',
editionBrandings: [
{
edition: {
id: 'UK',
},
},
{
edition: {
id: 'US',
},
},
{
edition: {
id: 'AU',
},
},
{
edition: {
id: 'INT',
},
},
],
},
header: {
isVideo: false,
isComment: false,
isGallery: false,
isAudio: false,
kicker: {
type: 'FreeHtmlKicker',
item: {
properties: {
kickerText: 'For ever tights? ',
},
},
},
headline: 'Now that’s an idea that could really have legs',
url: '/fashion/2022/oct/28/forever-tights-idea-really-have-legs-rip-resistant-fasion',
hasMainVideoElement: false,
},
card: {
id: 'fashion/2022/oct/28/forever-tights-idea-really-have-legs-rip-resistant-fasion',
cardStyle: {
type: 'Feature',
},
webPublicationDateOption: 1666953304000,
lastModifiedOption: 1667012469000,
trailText:
'As the UK gets chillier, rip-resistant tights – embraced even by fashion brands – are coming into their own',
shortUrlPath: '/p/mhet4',
shortUrl: 'https://www.theguardian.com/p/mhet4',
group: '0',
isLive: false,
},
discussion: {
isCommentable: false,
isClosedForComments: true,
discussionId: '/p/mhet4',
},
display: {
isBoosted: false,
boostLevel: 'default',
showBoostedHeadline: false,
showQuotedHeadline: false,
imageHide: false,
showLivePlayable: false,
},
format: {
design: 'FeatureDesign',
theme: 'LifestylePillar',
display: 'StandardDisplay',
},
enriched: {},
supportingContent: [],
cardStyle: {
type: 'Feature',
},
type: 'CuratedContent',
},
{
properties: {
isBreaking: false,
showMainVideo: false,
showKickerTag: false,
showByline: true,
imageSlideshowReplace: false,
maybeContent: {
trail: {
trailPicture: {
allImages: [
{
index: 3,
fields: {
displayCredit: 'true',
isMaster: 'true',
altText:
'USA. Harris Dickinson in a scene from (C)Neon new film : Triangle of Sadness (2022). Plot: A cruise for the super-rich sinks thus leaving survivors, including a fashion model celebrity couple, trapped on an island. Ref: LMK110-J8273-190822 Supplied by LMKMEDIA. Editorial Only. Landmark Media is not the copyright owner of these Film or TV stills but provides a service only for recognised Media outlets. pictures@lmkmedia.com<br>2JPPN2Y USA. Harris Dickinson in a scene from (C)Neon new film : Triangle of Sadness (2022). Plot: A cruise for the super-rich sinks thus leaving survivors, including a fashion model celebrity couple, trapped on an island. Ref: LMK110-J8273-190822 Supplied by LMKMEDIA. Editorial Only. Landmark Media is not the copyright owner of these Film or TV stills but provides a service only for recognised Media outlets. pictures@lmkmedia.com',
mediaId:
'c669f6300e637c6eac5b26fd3c3a0eda4b475126',
width: '4454',
source: 'Alamy',
photographer: 'Landmark Media',
height: '2674',
credit: 'Photograph: Landmark Media/Alamy',
},
mediaType: 'Image',
url: 'https://media.guim.co.uk/c669f6300e637c6eac5b26fd3c3a0eda4b475126/473_0_4454_2674/master/4454.jpg',
},
],
},
byline: 'Morwenna Ferrier',
thumbnailPath:
'https://i.guim.co.uk/img/media/c669f6300e637c6eac5b26fd3c3a0eda4b475126/473_0_4454_2674/500.jpg?quality=85&auto=format&fit=max&s=e8979943964b29a8c95f7eef77d67885',
webPublicationDate: 1666958427000,
},
metadata: {
id: 'commentisfree/2022/oct/28/triangle-of-sadness-fashion-industry-ruben-ostlund-palm-dor',
webTitle:
'Rolexes, influencers and H&M grins: Triangle of Sadness nails the fashion industry | Morwenna Ferrier',
webUrl: 'https://www.theguardian.com/commentisfree/2022/oct/28/triangle-of-sadness-fashion-industry-ruben-ostlund-palm-dor',
type: 'Article',
sectionId: {
value: 'commentisfree',
},
format: {
design: 'CommentDesign',
theme: 'OpinionPillar',
display: 'StandardDisplay',
},
},
fields: {
main: '<figure class="element element-image" data-media-id="c669f6300e637c6eac5b26fd3c3a0eda4b475126"> <img src="https://media.guim.co.uk/c669f6300e637c6eac5b26fd3c3a0eda4b475126/473_0_4454_2674/1000.jpg" alt="Harris Dickinson (centre) as Carl in Triangle of Sadness." width="1000" height="600" class="gu-image" /> <figcaption> <span class="element-image__caption">Harris Dickinson (centre) as Carl in Triangle of Sadness.</span> <span class="element-image__credit">Photograph: Landmark Media/Alamy</span> </figcaption> </figure>',
body: '<p>The picture painted of the fashion world in <a href="https://www.theguardian.com/film/2022/may/21/the-triangle-of-sadness-review-heavy-handed-satire-on-the-super-rich-loses-its-shape">Triangle of Sadness</a>, <a href="https://www.theguardian.com/film/2018/mar/11/ruben-ostlund-the-square-interview-force-majeure">Ruben Östlund’s</a> Palme d’Or-winning film, is not a kind one. Its title refers to a pair of frown lines that sit between the eyebrows. It’s one of the most Botoxed areas of a person’s face, probably because (as the name suggests) they only appear when you’re unhappy, and no one wants that.</p><p>This particular triangle belongs to Carl (Harris Dickinson), an ageing (he’s 24) male model with soft strawberry hair and a gentle pout. We meet Carl at a casting for an unknown fashion brand; as soon as he’s out of earshot, the panel discuss whether his triangle needs Botox. Old, unhappy Carl is unable to smooth his out.</p>',
standfirst:
'<p>As a fashion journalist, I recognised the precarity and cruelty on show in Ruben Östlund’s Palm d’Or winner</p>',
},
elements: {
mediaAtoms: [],
},
tags: {
tags: [
{
properties: {
id: 'commentisfree/commentisfree',
url: '/commentisfree/commentisfree',
tagType: 'Blog',
sectionId: 'commentisfree',
sectionName: 'Opinion',
webTitle: 'Opinion',
webUrl: 'https://www.theguardian.com/commentisfree/commentisfree',
},
},
{
properties: {
id: 'fashion/fashion-industry',
url: '/fashion/fashion-industry',
tagType: 'Keyword',
sectionId: 'fashion',
sectionName: 'Fashion',
webTitle: 'Fashion industry',
webUrl: 'https://www.theguardian.com/fashion/fashion-industry',
},
},
{
properties: {
id: 'fashion/fashion',
url: '/fashion/fashion',
tagType: 'Keyword',
sectionId: 'fashion',
sectionName: 'Fashion',
webTitle: 'Fashion',
webUrl: 'https://www.theguardian.com/fashion/fashion',
},
},
{
properties: {
id: 'lifeandstyle/lifeandstyle',
url: '/lifeandstyle/lifeandstyle',
tagType: 'Keyword',
sectionId: 'lifeandstyle',
sectionName: 'Life and style',
webTitle: 'Life and style',
webUrl: 'https://www.theguardian.com/lifeandstyle/lifeandstyle',
},
},
{
properties: {
id: 'film/film',
url: '/film/film',
tagType: 'Keyword',
sectionId: 'film',
sectionName: 'Film',
webTitle: 'Film',
webUrl: 'https://www.theguardian.com/film/film',
},
},
{
properties: {
id: 'culture/culture',
url: '/culture/culture',
tagType: 'Keyword',
sectionId: 'culture',
sectionName: 'Culture',
webTitle: 'Culture',
webUrl: 'https://www.theguardian.com/culture/culture',
},
},
{
properties: {
id: 'fashion/models',
url: '/fashion/models',
tagType: 'Keyword',
sectionId: 'fashion',
sectionName: 'Fashion',
webTitle: 'Models',
webUrl: 'https://www.theguardian.com/fashion/models',
},
},
{
properties: {
id: 'type/article',
url: '/type/article',
tagType: 'Type',
sectionId: 'global',
sectionName: 'global',
webTitle: 'Article',
webUrl: 'https://www.theguardian.com/articles',
},
},
{
properties: {
id: 'tone/comment',
url: '/tone/comment',
tagType: 'Tone',
sectionId: 'global',
sectionName: 'global',
webTitle: 'Comment',
webUrl: 'https://www.theguardian.com/tone/comment',
},
},
{
properties: {
id: 'profile/morwennaferrier',
url: '/profile/morwennaferrier',
tagType: 'Contributor',
sectionId: 'global',
sectionName: 'global',
webTitle: 'Morwenna Ferrier',
webUrl: 'https://www.theguardian.com/profile/morwennaferrier',
bio: '<p>Morwenna Ferrier is the Guardian’s fashion and lifestyle editor</p>',
contributorLargeImagePath:
'https://uploads.guim.co.uk/2017/10/09/Morwenna-Ferrier,-L.png',
bylineImageUrl:
'https://static.guim.co.uk/sys-images/Guardian/Pix/contributor/2014/10/15/1413394164362/Morwenna-Ferrier.jpg',
},
},
{
properties: {
id: 'publication/theguardian',
url: '/publication/theguardian',
tagType: 'Publication',
sectionId: 'theguardian',
sectionName: 'From the Guardian',
webTitle: 'The Guardian',
webUrl: 'https://www.theguardian.com/theguardian/all',
},
},
{
properties: {
id: 'theguardian/journal',
url: '/theguardian/journal',
tagType: 'NewspaperBook',
sectionId: 'theguardian',
sectionName: 'From the Guardian',
webTitle: 'Journal',
webUrl: 'https://www.theguardian.com/theguardian/journal',
},
},
{
properties: {
id: 'theguardian/journal/opinion',
url: '/theguardian/journal/opinion',
tagType: 'NewspaperBookSection',
sectionId: 'theguardian',
sectionName: 'From the Guardian',
webTitle: 'Opinion',
webUrl: 'https://www.theguardian.com/theguardian/journal/opinion',
},
},
{
properties: {
id: 'tracking/commissioningdesk/uk-opinion',
url: '/tracking/commissioningdesk/uk-opinion',
tagType: 'Tracking',
sectionId: 'global',
sectionName: 'global',
webTitle: 'UK Opinion',
webUrl: 'https://www.theguardian.com/tracking/commissioningdesk/uk-opinion',
},
},
],
},
},
maybeContentId:
'commentisfree/2022/oct/28/triangle-of-sadness-fashion-industry-ruben-ostlund-palm-dor',
isLiveBlog: false,
isCrossword: false,
byline: 'Morwenna Ferrier',
image: {
type: 'Cutout',
item: {
imageSrc:
'https://uploads.guim.co.uk/2017/10/09/Morwenna-Ferrier,-L.png',
},
},
webTitle:
'Rolexes, influencers and H&M grins: Triangle of Sadness nails the fashion industry | Morwenna Ferrier',
linkText:
'Rolexes, influencers and H&M grins: Triangle of Sadness nails the fashion industry | Morwenna Ferrier',
webUrl: 'https://www.theguardian.com/commentisfree/2022/oct/28/triangle-of-sadness-fashion-industry-ruben-ostlund-palm-dor',
editionBrandings: [
{
edition: {
id: 'UK',
},
},
{
edition: {
id: 'US',
},
},
{
edition: {
id: 'AU',
},
},
{
edition: {
id: 'INT',
},
},
],
},
header: {
isVideo: false,
isComment: true,
isGallery: false,
isAudio: false,
headline:
'Rolexes, influencers and H&M grins: Triangle of Sadness nails the fashion industry',
url: '/commentisfree/2022/oct/28/triangle-of-sadness-fashion-industry-ruben-ostlund-palm-dor',
hasMainVideoElement: false,
},
card: {
id: 'commentisfree/2022/oct/28/triangle-of-sadness-fashion-industry-ruben-ostlund-palm-dor',
cardStyle: {
type: 'Comment',
},
webPublicationDateOption: 1666958427000,
lastModifiedOption: 1666990950000,
trailText:
'As a fashion journalist, I recognised the cruelty on show in Ruben Östlund’s film, says Morwenna Ferrier, assistant editor on the Guardian’s Saturday magazine',
shortUrlPath: '/p/mgkpz',
shortUrl: 'https://www.theguardian.com/p/mgkpz',
group: '0',
isLive: false,
},
discussion: {
isCommentable: true,
isClosedForComments: true,
discussionId: '/p/mgkpz',
},
display: {
isBoosted: false,
boostLevel: 'default',
showBoostedHeadline: false,
showQuotedHeadline: true,
imageHide: false,
showLivePlayable: false,
},
format: {
design: 'CommentDesign',
theme: 'OpinionPillar',
display: 'StandardDisplay',
},
enriched: {},
supportingContent: [],
cardStyle: {
type: 'Comment',
},
type: 'CuratedContent',
},
{
properties: {
isBreaking: false,
showMainVideo: false,
showKickerTag: false,
showByline: false,
imageSlideshowReplace: false,
maybeContent: {
trail: {
trailPicture: {
allImages: [
{
index: 12,
fields: {
displayCredit: 'true',
isMaster: 'true',
altText: 'Fire on the Beach - Dana Scruggs',
mediaId:
'ae693a9bf972f379f725722a1aff5cee881cc574',
width: '2661',
source: 'Dana Scruggs',
photographer: 'Dana Scruggs',
height: '1597',
credit: 'Photograph: Dana Scruggs',
},
mediaType: 'Image',
url: 'https://media.guim.co.uk/ae693a9bf972f379f725722a1aff5cee881cc574/80_651_2661_1597/master/2661.jpg',
},
],
},
byline: '',
thumbnailPath:
'https://i.guim.co.uk/img/media/ae693a9bf972f379f725722a1aff5cee881cc574/80_651_2661_1597/500.jpg?quality=85&auto=format&fit=max&s=fc54e408eafeadf5c0ed3d1b87902325',
webPublicationDate: 1667199650000,
},
metadata: {
id: 'fashion/gallery/2022/oct/31/new-black-vanguard-photography-between-art-and-fashion-antwaun-sargent-in-pictures',
webTitle:
'At the vanguard: a new aesthetic in Black portraiture – in pictures',
webUrl: 'https://www.theguardian.com/fashion/gallery/2022/oct/31/new-black-vanguard-photography-between-art-and-fashion-antwaun-sargent-in-pictures',
type: 'Gallery',
sectionId: {
value: 'fashion',
},
format: {
design: 'GalleryDesign',
theme: 'LifestylePillar',
display: 'StandardDisplay',
},
},
fields: {
main: '<figure class="element element-image" data-media-id="ae693a9bf972f379f725722a1aff5cee881cc574"> <img src="https://media.guim.co.uk/ae693a9bf972f379f725722a1aff5cee881cc574/0_365_3000_1883/1000.jpg" alt="Fire on the Beach." width="1000" height="628" class="gu-image" /> <figcaption> <span class="element-image__caption">Fire on the Beach.</span> <span class="element-image__credit">Photograph: Dana Scruggs</span> </figcaption> </figure>',
body: '',
standfirst:
'<p>Curated by the US writer and critic Antwaun Sargent, <a href="https://www.saatchigallery.com/exhibition/the_new_black_vanguard__photography_between_art_and_fashion">an exhibition</a> aims to explore the new aesthetic in portraiture being created by an emerging generation of black models, photographers and stylists.</p><p>The New Black Vanguard: Photography Between Art and Fashion is at the Saatchi Gallery in London until 22 January 2023</p>',
},
elements: {
mediaAtoms: [],
},
tags: {
tags: [
{
properties: {
id: 'fashion/fashion-photography',
url: '/fashion/fashion-photography',
tagType: 'Keyword',
sectionId: 'fashion',
sectionName: 'Fashion',
webTitle: 'Fashion photography',
webUrl: 'https://www.theguardian.com/fashion/fashion-photography',
},
},
{
properties: {
id: 'artanddesign/photography',
url: '/artanddesign/photography',
tagType: 'Keyword',
sectionId: 'artanddesign',
sectionName: 'Art and design',
webTitle: 'Photography',
webUrl: 'https://www.theguardian.com/artanddesign/photography',
},
},
{
properties: {
id: 'artanddesign/exhibition',
url: '/artanddesign/exhibition',
tagType: 'Keyword',
sectionId: 'artanddesign',
sectionName: 'Art and design',
webTitle: 'Exhibitions',
webUrl: 'https://www.theguardian.com/artanddesign/exhibition',
},
},
{
properties: {
id: 'artanddesign/artanddesign',
url: '/artanddesign/artanddesign',
tagType: 'Keyword',
sectionId: 'artanddesign',
sectionName: 'Art and design',
webTitle: 'Art and design',
webUrl: 'https://www.theguardian.com/artanddesign/artanddesign',
},
},
{
properties: {
id: 'culture/culture',
url: '/culture/culture',
tagType: 'Keyword',
sectionId: 'culture',
sectionName: 'Culture',
webTitle: 'Culture',
webUrl: 'https://www.theguardian.com/culture/culture',
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body: '<p>Beauty magazines once taught readers how to use makeup to conceal a recent sobbing sesh. But now, one TikTok trend encourages us to embrace those misty eyes and rosy noses. “Crying makeup,” it seems, is in.</p><p><a href="https://www.tiktok.com/@zoekimkenealy/video/7154109460179438891">In a clip</a> that has gained over 507,000 likes, the Boston-based content creator Zoe Kim Kenealy offers a tutorial “for the unstable girlies” to achieve the look of a fresh sob even “if you’re not in the mood to cry”.</p>',
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